Beach Boys Auto Tune
| Status | Defunct (1969) |
|---|---|
| Founded | 1962 |
| Founder | Murry Wilson |
| Country of origin | United States |
| Headquarters location | Los Angeles |
| Publication types | Songs |
That's Why God Made the Radio is the twenty-ninth studio album by American rock band the Beach Boys, released on June 5, 2012 on Capitol Records. Produced by Brian Wilson, the album was recorded to coincide with the band's 50th anniversary. It is their first album to feature original material since Summer in Paradise in 1992, their first album to feature guitarist and backing vocalist David Marks since Little. Jul 01, 2017 A remarkable new set of 1967 recordings captures the Beach Boys as they grew into a more democratic band. They sound at once chaotic. A remarkable new set of 1967 recordings captures the Beach Boys as they grew into a more democratic band. They sound at once chaotic and relaxed, naive and sophisticated, pop-oriented and intimate.
Sea of Tunes was a music publishing company, founded in 1962 by Murry Wilson. Murry was the first manager of the Beach Boys; father of Brian, Dennis, and Carl Wilson; and uncle of Mike Love. The intention of Sea of Tunes was to publish and promote the songs written primarily by Brian.[not verified in body]
Sale to Irving Almo Music[edit]
Install ios 13 beta 3utools. After the Beach Boys dismissed Murry Wilson as their manager in 1964, he continued to serve as their publisher.[1] In May 1969, Brian Wilson told the music press that the group's funds were depleted to the point that they were considering filing for bankruptcy at the end of the year, which Disc & Music Echo called 'stunning news' and a 'tremendous shock on the American pop scene'.[2] In August, Murry sold Sea of Tunes to Irving Almo Music for $700,000 (equivalent to $4.88 million in 2019), believing the catalog's value had peaked.[3][4] Brian, according to his wife Marilyn Wilson, was devastated by the sale.[5]
Mike Love wrote, in his 2016 memoir, that the group signed away their rights to the songs under duress, and that in the late 1980s, it was discovered that the exchange was part of an elaborate plan orchestrated over two years by Abe Somer, the Beach Boys' lawyer. Somer concealed the fact that he was also Irving Music's lawyer, marking a conflict of interest.[6] Over the years, the catalog would generate more than $100 million in publishing royalties, none of which Murry nor the band members ever received.[7] By 1994, the catalog was estimated to be worth $40 million ($69 million in 2019).[8]
In the early 1990s, years after Murry's passing, Brian claimed fraud and sued for the return of his song copyrights.[1] The suit suggested that Brian's signature may have been forged, 'plus malpractice, misrepresentations, suppression of facts, breach of contract and conflicts of interest,' making the sale illegal.[9][10] While he failed to recover them in court, he was awarded $25 million in damages, including unpaid and underpaid royalties.[11][failed verification]
Mike Love credits[edit]
| Love v. Wilson | |
|---|---|
| U.S. District Court | |
| Date decided | December 12, 1994 |
| Judge sitting | William J. Rea |
| Plaintiff(s) | Mike Love |
| Defendant(s) | Brian Wilson |
Mike Love alleged that he was owed credit to 79 Beach Boys songs.[12] Love explained that Murry never credited him for many of the songs he had co-written with Brian, and therefore, he had also lost out on royalties.[8] He said he 'didn't know how badly I had been abused until I was deposed in Brian's pursuit of his claims against Irving Almo and Mitchell Silverburg and Nutt, which was the attorney representing the Beach Boys and Irving Almo. An inherent conflict of interest there.'[13] Love hoped that 'we don't have to go to trial because it's going to destroy Brian. He's going to be destroyed in depositions, first of all, let alone getting him in court.'[13] Little snitch docs.
They were unable to come up with a settlement, and so Love filed suit against Wilson in 1992.[8] After an eight-week-long trial and eight days of deliberation, on December 12, 1994, Love won the case.[8] The jury ruled that Love and Wilson were partners, that Wilson or his agents concealed material facts with the intention of defrauding Love, and that they engaged in promissory fraud with respect to publishing credits and royalties, and that Love was owed the 35 songs disputed. Love later called it 'almost certainly the largest case of fraud in music history'.[14] He was subsequently awarded a co-writing credit to 35 songs that were published from 1962 to 1966, as well as $13 million.[8]
Awarded credits[15]
- 'Chug-a-Lug'
- '409'
- 'Farmer's Daughter'
- 'Noble Surfer'
- 'Finders Keepers'
- 'Catch a Wave'
- 'Hawaii'
- 'Be True To Your School'
- 'Custom Machine'
- 'I Get Around'
- 'All Summer Long'
- 'Wendy'
- 'Do You Remember?'
- 'Drive-In'
- 'Don't Back Down'
- 'Little Saint Nick'
- 'Santa's Beard'
- 'The Man with All the Toys'
- 'Merry Christmas, Baby'
- 'Good to My Baby'
- 'Don't Hurt My Little Sister'
- 'When I Grow Up (To Be a Man)'
- 'Help Me, Rhonda'
- 'Dance, Dance, Dance'
- 'Kiss Me, Baby'
- 'She Knows Me Too Well'
- 'In the Back of My Mind'
- 'The Girl from New York City'
- 'Amusement Parks U.S.A.'
- 'Salt Lake City'
- 'California Girls'
- 'Let Him Run Wild'
- 'You're So Good to Me'
- 'Wouldn't It Be Nice'
- 'I Know There's an Answer' / 'Hang On to Your Ego'
Other disputed credits[edit]
- 'Surfin' U.S.A.' – Love alleged he was owed credit for the song.[16] His contribution was supported by Brian in a 1974 interview.[17]
- 'The Little Girl I Once Knew' – Love alleged that he was owed credit for the song.[18]
- 'Wouldn't It Be Nice' – Love alleged that he was owed credits for additional parts of the song that he was not granted in the 1994 suit. Co-writer Tony Asher said it was not possible due to Love's absence during the Pet Sounds songwriting sessions.[19]
- South Bay Surfer 'Old Folks at Home' - In an interview with Goldmine, September 18, 1992, Love mentions this song. 13
Bootleg label[edit]
In 1997, a label named after the publishing company issued a slew of unauthorized bootleg recordings sourced from Beach Boys archives.[20]
References[edit]
Citations
- ^ abVan Matre, Lynn (October 13, 1991). 'Child Of Abuse: Beach Boy Brian Wilson Finally Tells His Story, And It Isn`t Pretty'. Chicago Tribune.
- ^Wilson, Brian (May 31, 1969). 'Why we're in such a struggle for cash'. Disc & Music Echo. p. 7.
- ^Carlin 2006, p. 145.
- ^Love 2016, p. 226.
- ^Gaines 1986, p. 224–225.
- ^Love 2016, pp. 225–226, 376–377.
- ^Love 2016, p. 227.
- ^ abcde'Beach Boys' Mike Love Wins His Case, Stands to Collect Millions'. Los Angeles Times. December 13, 1994. Retrieved October 1, 2012.
- ^Letovski, Irv (September 19, 1989). 'Brian Wilson Sues Music Publisher'. Los Angeles Times. Retrieved September 17, 2011.
- ^Heller, Karen (October 23, 1991). 'A Beach Boy's Blues For Brian Wilson, The Days Of 'Fun, Fun, Fun' Have Ebbed. Although He Has A New Book, He's Also Involved In Several Lawsuits. 'drugs,' He Says, 'put A Gash In My Mind.''. The Philadelphia Inquirer.
- ^'Beach Boy Wilson Sues Law Firm Over 1969 Sales'. Los Angeles Times. September 18, 1990. Retrieved 2012-10-01.
- ^Bates, James (October 4, 1994). 'COMPANY TOWN : No Harmony in Beach Boy Suit Between Cousins Love and Wilson'. Los Angeles Times.
- ^ ab'Good Vibrations? The Beach Boys' Mike Love gets his turn'. Goldmine. September 18, 1992.
- ^Love 2016, p. 373.
- ^Doe, Andrew G. 'Album Archive'. Bellagio 10452. Endless Summer Quarterly.
- ^Hedegaard, Erik (February 17, 2016). 'The Ballad of Mike Love'. Rolling Stone.
- ^Wilson, Brian (September 1974). 'KRTH' (Interview: Audio). Interviewed by Jim Pewter. New York City.; Brian Wilson - Jim Pewter Interview 1974 (audio) on YouTube
- ^Dillon, Mark (2012). Fifty Sides of the Beach Boys: The Songs That Tell Their Story. ECW Press. ISBN978-1-77090-198-8.[page needed]
- ^Carlin 2006, p. 278.
- ^Wilonsky, Robert (December 23, 1999). 'The Forever Frown'. Phoenix New Times Music. phoenixnewtimes.com. Retrieved July 29, 2013.
Bibliography
- Carlin, Peter Ames (2006). Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson. Rodale. ISBN978-1-59486-320-2.
- Gaines, Steven (1986). Heroes and Villains: The True Story of The Beach Boys. New York: Da Capo Press. ISBN0306806479.
- Love, Mike (2016). Good Vibrations: My Life as a Beach Boy. Penguin Publishing Group. ISBN978-0-698-40886-9.